2004.clark Terry - Clark Terry's Big B-a-d Band... May 2026
When you listen to , the first thing that hits you isn't just the technical precision—it's the sheer joy. Formed around 1970, this 17-piece ensemble was more than just a musical group; it was a masterclass in jazz history led by one of the most beloved figures in the genre. A Legacy of Swing and Innovation
: Lou Soloff, Virgil Jones, and Ray Copeland on trumpets. Why It Still Matters
: Ernie Wilkins (arranger/tenor), Frank Wess, and Chris Woods. 2004.Clark Terry - Clark Terry's Big B-A-D Band...
: Victor Sproles (bass), Mousey Alexander (drums), and Don Friedman (piano).
Clark Terry, a master of both the trumpet and the flugelhorn, brought a unique blend of "St. Louis tone" and contemporary styles to the big band format. His Big B-A-D Band (which stands for ) was a vehicle for this versatility. The band’s repertoire was deeply influenced by Terry's time with both Count Basie and Duke Ellington , blending Basie's driving swing with Ellington's rich harmonic sophistication. Highlights from the Catalog When you listen to , the first thing
The Big B-A-D Band was a "Who's Who" of jazz talent over the decades. Key collaborators and soloists often included:
The Unmistakable Sound of Joy: Celebrating Clark Terry’s Big B-A-D Band Why It Still Matters : Ernie Wilkins (arranger/tenor),
While the band is best known for its high-energy live performances like those at Buddy's Place and the Wichita Jazz Festival, 2004 saw a unique entry in Terry's discography:
When you listen to , the first thing that hits you isn't just the technical precision—it's the sheer joy. Formed around 1970, this 17-piece ensemble was more than just a musical group; it was a masterclass in jazz history led by one of the most beloved figures in the genre. A Legacy of Swing and Innovation
: Lou Soloff, Virgil Jones, and Ray Copeland on trumpets. Why It Still Matters
: Ernie Wilkins (arranger/tenor), Frank Wess, and Chris Woods.
: Victor Sproles (bass), Mousey Alexander (drums), and Don Friedman (piano).
Clark Terry, a master of both the trumpet and the flugelhorn, brought a unique blend of "St. Louis tone" and contemporary styles to the big band format. His Big B-A-D Band (which stands for ) was a vehicle for this versatility. The band’s repertoire was deeply influenced by Terry's time with both Count Basie and Duke Ellington , blending Basie's driving swing with Ellington's rich harmonic sophistication. Highlights from the Catalog
The Big B-A-D Band was a "Who's Who" of jazz talent over the decades. Key collaborators and soloists often included:
The Unmistakable Sound of Joy: Celebrating Clark Terry’s Big B-A-D Band
While the band is best known for its high-energy live performances like those at Buddy's Place and the Wichita Jazz Festival, 2004 saw a unique entry in Terry's discography:
