: Some reviewers felt the backup choirs (like the Yedidim choir) were flat or added little to certain tracks, preferring Benny's solo overdubs instead. Hislahavus' Review of Benny Friedman's Bnei Heichala
: Produced by Sruly Meyer and arranged by Avremi G., the album features a full orchestra—a rarity in modern Jewish music—allowing instruments like the flute, clarinet, and oboe to shine. Track Highlights Track Title Notable Features 1 Joy Is in the Air
: The collection is remarkably broad, featuring Chabad niggunim , Vizhnitz and Breslov melodies, Sefardic classics, and even children's songs.
The title track; a "blatantly, unapologetically chasiddish" and ethereal Chabad niggun. Echoes of a Holy Day
Includes a remix of Ari Goldwag’s "Kah Ribon" and a disco rendition of Avraham Fried’s "Me’ein Olam Haba". B’nei Heichala
: Reviewers from Mostly Music highlight Benny's "sweet but strong" vocals, noting his perfect control and appropriate emotion throughout the tracks.
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: Some reviewers felt the backup choirs (like the Yedidim choir) were flat or added little to certain tracks, preferring Benny's solo overdubs instead. Hislahavus' Review of Benny Friedman's Bnei Heichala
: Produced by Sruly Meyer and arranged by Avremi G., the album features a full orchestra—a rarity in modern Jewish music—allowing instruments like the flute, clarinet, and oboe to shine. Track Highlights Track Title Notable Features 1 Joy Is in the Air : Some reviewers felt the backup choirs (like
: The collection is remarkably broad, featuring Chabad niggunim , Vizhnitz and Breslov melodies, Sefardic classics, and even children's songs. The title track
The title track; a "blatantly, unapologetically chasiddish" and ethereal Chabad niggun. Echoes of a Holy Day featuring Chabad niggunim
Includes a remix of Ari Goldwag’s "Kah Ribon" and a disco rendition of Avraham Fried’s "Me’ein Olam Haba". B’nei Heichala
: Reviewers from Mostly Music highlight Benny's "sweet but strong" vocals, noting his perfect control and appropriate emotion throughout the tracks.
