: Carmell Jones (lead soloist), John Audino, Jules Chaiken, Freddie Hill, and Al Porcino.
: An evocative, texture-heavy piece showcasing the lyrical side of the ensemble and the precision of Joe Pass . The Ensemble (Personnel)
The album features nine tracks, seven of which are Wilson originals.
: Bud Shank (alto/flute), Joe Maini (alto), Teddy Edwards (tenor), Harold Land (tenor), Jack Nimitz, and Don Raffell (baritone).
: A high-energy, large-scale big band interpretation of the Miles Davis classic.
The 1962 album by the Gerald Wilson Big Band is a landmark of 1960s West Coast jazz, marking the point where Wilson’s ensemble solidified its reputation as a permanent, powerhouse fixture in the genre. Released on the Pacific Jazz label , the record is celebrated for its sophisticated arrangements that blend Latin influences, swaggering blues, and driving hard bop. Musical Highlights
: The standout opening track featuring an irrepressible Latin groove and a notable guitar solo by Joe Pass. It later became a crossover pop hit when covered by El Chicano.
The band was a "who's who" of top West Coast talent during this era. : Gerald Wilson.
: Carmell Jones (lead soloist), John Audino, Jules Chaiken, Freddie Hill, and Al Porcino.
: An evocative, texture-heavy piece showcasing the lyrical side of the ensemble and the precision of Joe Pass . The Ensemble (Personnel)
The album features nine tracks, seven of which are Wilson originals.
: Bud Shank (alto/flute), Joe Maini (alto), Teddy Edwards (tenor), Harold Land (tenor), Jack Nimitz, and Don Raffell (baritone).
: A high-energy, large-scale big band interpretation of the Miles Davis classic.
The 1962 album by the Gerald Wilson Big Band is a landmark of 1960s West Coast jazz, marking the point where Wilson’s ensemble solidified its reputation as a permanent, powerhouse fixture in the genre. Released on the Pacific Jazz label , the record is celebrated for its sophisticated arrangements that blend Latin influences, swaggering blues, and driving hard bop. Musical Highlights
: The standout opening track featuring an irrepressible Latin groove and a notable guitar solo by Joe Pass. It later became a crossover pop hit when covered by El Chicano.
The band was a "who's who" of top West Coast talent during this era. : Gerald Wilson.
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Still have any questions? Contact us : Bud Shank (alto/flute), Joe Maini (alto), Teddy
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